Experiment #42 - Go to the circus.
<i>Beware of people who do not like the circus. They are undoubtedly too efficient and too sure of themselves - ruthless. To understand the circus, even if you’re not particularly attracted to it, experiment with sitting near the circle. Choose a small circus, preferably nothing too splendid, rather somewhat impoverished. Avoid Madison Square Garden, Barnum, and the other big concerns. With them, it’s harder to grasp what makes the circus so moving - its mixture of misery and reverie.
For usually these places have something sordid about them - which is both intrinsic and necessary. The sawdust on the track, the smell of animal dung, the dust from old marquees, the whiff of sweat below the tent canvas. It must also be a closed space: the circular ring, the canvas heaven, the guardrails. The circus encloses a space proper to itself, a world not to be confused witht he rest of the universe. You can define the circus rather as you can the human world itself.
In this circumscribed sphere, a bubble of dreams is constructed. In a very elementary, or even stupid or vulgar fashion, sequins and paste and all that glitters. Heavy fake jewellery. False luxury, false chic, a factitious facility and a forced gaiety against a background of grinding sadness. This is what makes the circus so moving, an exemplary model of the human: doggedly constucting laughable dreams out of the filth and the muck. Every evening at 8.30, with a Sunday matinee at 3 o’clock.
you should head towards the circus tent. Queue for a bit, and pay too much for the discomfort, the staleness and bad smells. For the uncomfortable seat. You will easily surmount these drawbacks, and by watching the lightness of the acrobats and the skill of the conjurors will feel you have escaped the crushing sense of failure. You’ll even start to dream of a humanity full of crystal balls, lit by spotlights, smiling into the brass band, happy amid the candyfloss. The performers on stage will come to seem almost beautiful, courageous, worthy, full of virtues, capable of grand exploits, larger than life, their bodies shining like those of gods, so supple they are, and light, and swift and aerial. For a while float within this glittering bubble.
And then, crucially and most moving of all, something goes wrong. A juggler drops a ball, a trapeze misses, one of the animals remains obstinately motionless. You notice the beautiful contortionist has a hole in her tights. Brusquely, you see something pitiful, and pride brought down to earth. Some terrestrial dream, smudged as it always is, and always more or less wounded. A shattering failure. An image of human doggedness. You should go back to the circus time and again.</i>
Gary :: Nov.28.2002 :: Old Deadjournal posts :: No Comments »